Read about the different genres in theater and film. Then, mention which genres do not cross over from theater into film or from film into theater. Explain why they do not cross over. Also, describe how you might make the genre cross from one to another.
Answer: The genre of mono acts cannot be adapted to screen because it involves a solo actor exhibiting the entire story using few props. Such a theater work cannot cross over into film because it will not keep the audience engaged. A film mono act will not be as effective as a theater mono act. To adapt a mono act effectively to the screen, I would add more physical locations in the story. I would add intimacy through camera angles and close-ups. This will help in keeping the audience hooked to the story.
A film genre that may prove difficult to cross over to theater is documentary. Documentary films are nonfictional. They do not have a well-defined plot or characters. With no story to tell, it is difficult for theaters to adapt a documentary for a live audience. But if a riveting plot is woven into the documentary, this film genre might attract theater audiences.
Answer: The genre of mono acts cannot be adapted to screen because it involves a solo actor exhibiting the entire story using few props. Such a theater work cannot cross over into film because it will not keep the audience engaged. A film mono act will not be as effective as a theater mono act. To adapt a mono act effectively to the screen, I would add more physical locations in the story. I would add intimacy through camera angles and close-ups. This will help in keeping the audience hooked to the story.
A film genre that may prove difficult to cross over to theater is documentary. Documentary films are nonfictional. They do not have a well-defined plot or characters. With no story to tell, it is difficult for theaters to adapt a documentary for a live audience. But if a riveting plot is woven into the documentary, this film genre might attract theater audiences.
Answer: The genre of mono acts cannot be adapted to screen because it involves a solo actor exhibiting the entire story using few props. Such a theater work cannot cross over into film because it will not keep the audience engaged. A film mono act will not be as effective as a theater mono act. To adapt a mono act effectively to the screen, I would add more physical locations in the story. I would add intimacy through camera angles and close-ups. This will help in keeping the audience hooked to the story.
A film genre that may prove difficult to cross over to theater is documentary. Documentary films are nonfictional. They do not have a well-defined plot or characters. With no story to tell, it is difficult for theaters to adapt a documentary for a live audience. But if a riveting plot is woven into the documentary, this film genre might attract theater audiences.
Some of the genres in film like action, horror, and other genres wouldn't work because they wouldn't have the same elements if they were acted in front of a live audience. While some theater genres, take farce for example, would not have the same elements if they were recorded for a film either. You can take tragedy from one genre to another though, as it is flexible enough to be changed.
Some of the genres in film like action, horror, and other genres wouldn't work because they wouldn't have the same elements if they were acted in front of a live audience. While some theater genres, take farce for example, would not have the same elements if they were recorded for a film either. You can take tragedy from one genre to another though, as it is flexible enough to be changed.
Explanation:Lascaux Cave is actually a complex of several caves in the town of Montignac, in the department of Dordogne in southwestern France. The cave has over 600 wall paintings on its walls and ceilings dating back to the Upper Paleolithic time, some 17,000 years ago. Opening the cave to the public in 1960’s has brought serious threats to the paintings. As part of the strict conservation program, authorities managed to install an air conditioning system in the cave to regulate humidity and temperature. Soon after that, a white mold called Fusarium solani infested and spread across the cave ceiling and walls at a rapid pace. Many other fungus infestations has followed over the years that threatened to destroy the priceless ancient paintings. Conservation process is still ongoing up to the time of writing and Lascaux Cave is not open to the public.
Paru-Parong bukid is a traditional Filipino folk song which originated from "Mariposa Bella", a Filipino song in Spanish originated in the 1890s.
The song "Mariposa Bella" was composed during the time of American invasion of the Philippines. During American occupation of the Philippines in 1898, the Spanish speaking Filipinos commenced including the song itself.
In 1938, "Mariposa Bella" was totally forgotten when "Paru-Parong Bukid" was released as a soundtrack of a film of the same title. The Tagalog rendition was composed by Felipe De Leon.
In popular culture
A drama movie titled Paroparong Bukid was released by Sampaguita Pictures in 1938, starring Rudy Concepcion, using the folk song Paru-Parong Bukid as a soundtrack.
In 1958, a romance film Paroparong Bukid which stars Gloria Romero, Luis Gonzales and Dolphy was released by the same production company Sampaguita Pictures.
Guillermo Gómez Rivera, released an LP in 1962 entitled Nostalgia Filipina which includes the original Spanish song "Mariposa Bella"
Answer will vary but may include the following: The image is an Asian artwork, specifically a Japanese ukiyo-e scene. In the image there are men carrying either some type of cargo in boxes or baskets of food, across a bridge. Most of the men pictured are walking in two rows, in a sort of procession. Houses are visible in the background. Orange, blue, and yellow are the main colors used. There isn't much variation in the width of the lines. The shapes are fairly geometric. The image is framed on either side by what appears to be a gate or fence. This is an example of a woodblock print, also called a woodcut. Its registration points were likely located in the corners of the woodblock.
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