06.08.2020

Evaluate the equation. 3/4 + m = 2 1/8 A. m= 3/8 B. m= 5/8 C. m= 1 3/8 D. m= 1 5/8 FAST PLEASE I WILL GIVE BRIANLYIST!

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24.06.2023, solved by verified expert
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C. m=1 3/8

Step-by-step explanation:

3/4+m=2 1/8

Subtract 3/4 from both sides

3/4-3/4=0

2 1/8 -3/4=1 3/8

m=1 3/8

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Mathematics
Step-by-step answer
P Answered by PhD

C. m=1 3/8

Step-by-step explanation:

3/4+m=2 1/8

Subtract 3/4 from both sides

3/4-3/4=0

2 1/8 -3/4=1 3/8

m=1 3/8

Mathematics
Step-by-step answer
P Answered by Specialist
It should be 41/24

First: Find the LCM or LCD
Second:Do the “smile and frown “ ( don’t know the mathematical term lol)
Third:Add it all up
Fourth:Simplify if possible

Hope This Helps
Find the sum of 5/6 +1/8+3/4 a 1 7/8 b 1 1/24 c 1 17/24 d 1/2 answer fast
Mathematics
Step-by-step answer
P Answered by Master
It should be 41/24

First: Find the LCM or LCD
Second:Do the “smile and frown “ ( don’t know the mathematical term lol)
Third:Add it all up
Fourth:Simplify if possible

Hope This Helps
Find the sum of 5/6 +1/8+3/4 a 1 7/8 b 1 1/24 c 1 17/24 d 1/2 answer fast
Arts
Step-by-step answer
P Answered by Master
1. The answer is “B. George Frideric Handel.”  

Handel was German but later he turned into an English citizen and he went blind late throughout everyday life. Handel's profession as a musical show arranger achieved its tallness when he worked for the Royal Academy of Music. He was perceived as England's most prominent composer and Italian Baroque Opera achieved its stature with George Frederic Handel.

 2.  The answer is “A. Germany”    

Johann Sebastian Bach was a German composer and organist. He lived in the last piece of the Baroque time frame. He never voyaged exceptionally far, going through the entirety of his time of life in central Germany, yet he considered all the music he could discover by different arrangers of his opportunity.

 3. The answer is “C. Recitative".

Recitative  a style of conveyance (much utilized as a part of musical shows, oratorios, and cantatas) in which an artist is permitted to receive the rhythms of customary discourse. Recitative does not rehash lines as formally made melodies do. It takes after sung conventional discourse in excess of a formal melodic creation. Recitative can be recognized on a continuum from more discourse jump at the chance to more melodic, with more maintained melodic lines.

4. The answer is “C. fast-slow-fast”.    

The concerto has taken after significantly more reliably than the sonata the arrangement of three movements, in the request fast– slow– fast. The second movement leads, frequently immediately, into the finale, or last movement, and the finale has demonstrated a more predictable inclination for the rondo plan.  

5. The answer is “D. organ”.

Little Fugue in G Minor, is an organ (The organ was an imperative instrument for holy places and they regularly saved no costs for these establishments.) fugue made by Johann Sebastian Bach while utilized at Arnstadt (1703– 1707). Like most fugues, it is sorted out into three segments: composition, improvement, and return of the subject in the fugue's tonic (unique) key.

6. The answer is “A. Elisabeth-Claude Jacquet de la Guerre”.

  Elisabeth-Claude Jacquet de la Guerre was an effective writer and entertainer of the harpsichord. She created numerous French suites for harpsichord. She performed routinely to king Louis XIV. The work she created that you have to know is the Sarabande from Suite no. 1 from Pieces for Harpsichord.  

7. The answer is “C. composer, harpsichord player, and singer.”  

Elisabeth-Claude Jacquet de la Guerre was an effective writer and entertainer of the harpsichord. She created numerous French suites for harpsichord. She performed routinely to king Louis XIV. The work she created that you have to know is the Sarabande from Suite no. 1 from Pieces for Harpsichord.    

8. The answer is “B. keyboard instruments.”

Toccata, Fantasia, Prelude are piece for keyboard instrument of lute looking like an act of spontaneity that may include imitative areas or fill in as a prelude to an autonomous fugue. An illustration could be the prelude to Harpsichord Suite no 3 by de la Guerre.    

9. The answer is “B. Antonio Vivaldi.”    

Antonio Vivaldi, "Red Priest", a standout amongst the most productive authors of solo concertos of the Baroque time frame, composed music for a popular ensemble at a young lady's halfway house, expressed "Quattro Stagione" otherwise called the "Four Seasons" (set of four concertos)


10. The answer is “C. Paris”.    

The way of life of Paris concerns human expressions, music, exhibition halls, celebrations and other amusement in Paris, the capital city of France. The city is today one of the world's driving business and social focuses; diversion, music, media, form, and expressions of the human experience all add to its status as one of the world's major worldwide urban areas.  

11. The answer is “A. chorale prelude”.  

In music, a chorale prelude is a short ritualistic arrangement for organ utilizing a chorale tune as its premise. It was a prevalent style of the German Baroque time and achieved its perfection underway of J.S. Bach, who composed 46 (with a 47th incomplete) cases of the frame in his Orgelbüchlein, alongside numerous different works of the sort in different accumulations.           
Arts
Step-by-step answer
P Answered by Specialist
1. The answer is “B. George Frideric Handel.”  

Handel was German but later he turned into an English citizen and he went blind late throughout everyday life. Handel's profession as a musical show arranger achieved its tallness when he worked for the Royal Academy of Music. He was perceived as England's most prominent composer and Italian Baroque Opera achieved its stature with George Frederic Handel.

 2.  The answer is “A. Germany”    

Johann Sebastian Bach was a German composer and organist. He lived in the last piece of the Baroque time frame. He never voyaged exceptionally far, going through the entirety of his time of life in central Germany, yet he considered all the music he could discover by different arrangers of his opportunity.

 3. The answer is “C. Recitative".

Recitative  a style of conveyance (much utilized as a part of musical shows, oratorios, and cantatas) in which an artist is permitted to receive the rhythms of customary discourse. Recitative does not rehash lines as formally made melodies do. It takes after sung conventional discourse in excess of a formal melodic creation. Recitative can be recognized on a continuum from more discourse jump at the chance to more melodic, with more maintained melodic lines.

4. The answer is “C. fast-slow-fast”.    

The concerto has taken after significantly more reliably than the sonata the arrangement of three movements, in the request fast– slow– fast. The second movement leads, frequently immediately, into the finale, or last movement, and the finale has demonstrated a more predictable inclination for the rondo plan.  

5. The answer is “D. organ”.

Little Fugue in G Minor, is an organ (The organ was an imperative instrument for holy places and they regularly saved no costs for these establishments.) fugue made by Johann Sebastian Bach while utilized at Arnstadt (1703– 1707). Like most fugues, it is sorted out into three segments: composition, improvement, and return of the subject in the fugue's tonic (unique) key.

6. The answer is “A. Elisabeth-Claude Jacquet de la Guerre”.

  Elisabeth-Claude Jacquet de la Guerre was an effective writer and entertainer of the harpsichord. She created numerous French suites for harpsichord. She performed routinely to king Louis XIV. The work she created that you have to know is the Sarabande from Suite no. 1 from Pieces for Harpsichord.  

7. The answer is “C. composer, harpsichord player, and singer.”  

Elisabeth-Claude Jacquet de la Guerre was an effective writer and entertainer of the harpsichord. She created numerous French suites for harpsichord. She performed routinely to king Louis XIV. The work she created that you have to know is the Sarabande from Suite no. 1 from Pieces for Harpsichord.    

8. The answer is “B. keyboard instruments.”

Toccata, Fantasia, Prelude are piece for keyboard instrument of lute looking like an act of spontaneity that may include imitative areas or fill in as a prelude to an autonomous fugue. An illustration could be the prelude to Harpsichord Suite no 3 by de la Guerre.    

9. The answer is “B. Antonio Vivaldi.”    

Antonio Vivaldi, "Red Priest", a standout amongst the most productive authors of solo concertos of the Baroque time frame, composed music for a popular ensemble at a young lady's halfway house, expressed "Quattro Stagione" otherwise called the "Four Seasons" (set of four concertos)


10. The answer is “C. Paris”.    

The way of life of Paris concerns human expressions, music, exhibition halls, celebrations and other amusement in Paris, the capital city of France. The city is today one of the world's driving business and social focuses; diversion, music, media, form, and expressions of the human experience all add to its status as one of the world's major worldwide urban areas.  

11. The answer is “A. chorale prelude”.  

In music, a chorale prelude is a short ritualistic arrangement for organ utilizing a chorale tune as its premise. It was a prevalent style of the German Baroque time and achieved its perfection underway of J.S. Bach, who composed 46 (with a 47th incomplete) cases of the frame in his Orgelbüchlein, alongside numerous different works of the sort in different accumulations.           
StudenGPT
Step-by-step answer
P Answered by Studen AI
The section from paragraph 22 that best supports the answer to Part A is C. "anybody that says they weren't scared, well they're just not quite telling the truth." This section explains that the speaker, J.C. Alton, admits that he and others were scared during the attack on Pearl Harbor. It shows the emotional impact and fear experienced by the soldiers during the attack. This supports the idea that the soldiers were not just focused on their duty but also experienced fear and emotions during the attack.
StudenGPT
Step-by-step answer
P Answered by Studen AI
Based on the interview, we can infer that J.C. Alton has a high regard for his fellow soldiers and their experiences. Here are some pieces of evidence from the text to support this inference:

1. In response to Daniel Rowe's question about the emotions experienced during the attack, J.C. Alton states that nobody expected anything, and anyone who says they weren't scared is not telling the truth. This suggests that he understands and acknowledges the fear and vulnerability felt by his fellow soldiers during the attack on Pearl Harbor.

2. J.C. Alton mentions that the captain of the West Virginia was killed by shrapnel from a bomb that hit the nearby Maryland. He recalls that the West Virginia had come by to check on their ship, which shows concern and camaraderie among the soldiers.

3. When discussing the casualties of the attack, J.C. Alton mentions that different numbers are often shared, but he estimates around 2,600 lives were lost. By acknowledging the loss of lives, he demonstrates empathy and recognition of the sacrifices made by his fellow soldiers.

These evidences indicate that J.C. Alton has a deep understanding and respect for the experiences and hardships endured by his fellow soldiers during the attack on Pearl Harbor.

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