24.12.2022

Explore the differences between 1932's Dracula and 1993's Bram Stoker's Dracula. Pay close attention to the style of filmmaking, what was shown on screen versus what was implied off screen, and the directing choices.

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Dracula was given a rating of "pass" while Bram Stoker's Dracula was given an R rating.

Dracula, Mina, Jonathan Harker, Lucy, Van Helsing, and Renfield appeared in both movies.

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26.10.2023, solved by verified expert
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Step-by-step explanation:

"Dracula" (1931) and "Bram Stoker's Dracula" (1992) are two adaptations of Bram Stoker's classic novel "Dracula." These films, despite sharing the same source material and core characters, differ significantly in style, rating, what is shown on screen, and directing choices. Let's explore these differences:

Style of Filmmaking:

"Dracula" (1931) was directed by Tod Browning and reflects the filmmaking style of its time. It falls into the category of early horror cinema and is often considered a classic of the genre.

"Bram Stoker's Dracula" (1992) was directed by Francis Ford Coppola and employed a more contemporary filmmaking approach. It combined elements of traditional horror with a more romantic and visually extravagant style.

Rating:

"Dracula" (1931) received a "pass" rating by the Production Code Administration, a precursor to the MPAA. This means it adhered to the Production Code's guidelines for content in films at the time.

"Bram Stoker's Dracula" (1992) received an R rating, reflecting its more explicit and mature content, including sensuality, violence, and gore. This indicates a more liberal approach to portraying darker and more explicit themes.

What's Shown On Screen Versus Implied Off Screen:

"Dracula" (1931) adhered to the censorship and content restrictions of its era. As a result, it relied more on off-screen implication and subtle horror techniques. Many of the gruesome elements were suggested rather than explicitly shown.

"Bram Stoker's Dracula" (1992), with its R rating and the creative freedom that came with it, was able to depict more graphic and visceral scenes on screen. It didn't shy away from showcasing the darker and more violent aspects of the story, including depictions of violence, sensuality, and supernatural elements.

Directing Choices:

Tod Browning's direction in "Dracula" (1931) embraced a more straightforward and conventional approach, focusing on atmospheric and eerie settings, especially in the early scenes set in Dracula's castle.

Francis Ford Coppola's direction in "Bram Stoker's Dracula" (1992) was visually striking and more experimental. He employed a wide range of visual effects and innovative techniques to create a visually immersive experience. The film also delved deeper into the characters' emotions and backgrounds.

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Answer: B. the uncontrollable power of nature.

In this passage, we can see how powerful the colossal Moby-Dick is, and how frail and insignificant humans appear to be by comparison. When Ahab wants to fight with the whale, he is completely helpless and is easily defeated and injured. The power of the whale is a symbol that represents the incontrollable power of nature.

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The correct answer is: simile

Through this text, we can see that the phrase "It is as if a great earthen pot has dropped from an unreachable rafter'' represents a comparison with the doubts that the narrator presents. This comparison is made through two elements that have nothing in common, but that the author uses to create a new meaning about one of them. This is done through simile.

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Answer:

Please, see below:

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Thoreau states, “… When an acorn and a chestnut fall side by side… bothobey their own laws…” (3). This can be interpreted as success being obtainable withoutthe assistance of another. The acorn and the chestnut are two individuals that are uniquein their own way yet had the same result. The same goes for people; for those reachingthe same goal as another, it is much better to do it under your qualities and your own way.The purpose of this passage was for Thoreau to inform his audience on his viewson the government and its negative affects on civilization. With its restrictions, peoplecannot fully live up to their potential because the bureaucracy will always limit them.Thoreau wants his audience to become successful in their own manor and uses theserhetorical devices to sync with his readers

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Answer:

According to the students learn in different ways such example as games, animations, family, and the school etc.

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The term student refers to learn the knowledge and the development of the body. They also the gain the experience. The students are the learn as the under the guidance of the teacher. The teacher is the teach to the students. The student is the learn on the different ways to the consumption of the different knowledge.

According to the student are the learn on the different ways are;

Animation video to the easily describe the concept and the remember to the easy in the task.

Games are the learn to mistakes not to repeated.

Family are the firstly teach to the student.

School are the teacher to the guide in the career.

As a result, the student is the learn on the different in the way.

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Answer:

In lines 578-579, Mrs. Keeney tells her husband why she wanted to sail with him: "I wanted to see
you the hero they make you out to be in Homeport." In what way does the voyage change the way she sees her husband? Cite evidence from the play in your answer.
Mrs. Keeney sees that her husband is a hard man who can be brutal toward his crew in pursuit of
his goal. In lines 650-653, she tells him, "You want to live up to your silly reputation even if you do
have to beat and starve men and drive me mad to do it."
At the end of the play, Captain Keeney breaks his promise to his wife, even though he says he loves
her. What is the motivation for his behavior, beyond simple economic opportunity?
Keeney's pride pushes him to put his goal of
getting the oil ahead of any feelings for his wife. He needs to get the oil to feel strong and to prove himself. At the same time, he denies that his wife is really going mad, saying, "I know you're foolin' me" (lines 892-893). He may feel justified in staying "jest a little while longer" at sea because he can't believe she is actually losing her mind and because she insisted on making the voyage in the first place.

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make necessary changes as required to make the points better

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Answer:

The phrase "we'll head north again, in other words, to the land of sensible people" shows that the entire venture, planned by the Professor and the Captain was not wise. It has a critical tone.

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The phrase above was uttered by the Canadian in the book, "Twenty Thousand Leagues Under the Seas Revised" By Jules Verne. He meant that the venture which they had undertaken was fruitless and unwise.

He criticized the journey because at that time the Nautilus was stuck in the ice and could no longer move forward.

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Answer:

check below

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George and Lennie dream of getting their own farm. George wants the independence that comes with owning his own land, and Lennie wants to have rabbits. Their dream is the central theme in the story. It is their dream that brings them to the ranch, and that dream spreads to Candy and Crooks.

George is small while Lennie is burly in terms of physical size. George is cunning and calculating while Lennie is obtuse and carefree. But from the early scene where the two stopped to drink water, you can already perceive that George is the one who looks after Lennie.

Lennie and George have an argument over a mouse that Lennie has petted a little too hard and long. Lennie wants to keep the dead mouse in his pocket, but George throws it away.

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Answer:

Aslan orders the creatures around him to prepare a feast for the children. Then he leads Peter aside and shows him Cair Paravel, a castle on a peninsula where the children will live and reign. Aslan tells Peter that he will "be the High King over all the rest." As they are talking, Peter and Aslan hear Susan's horn, which Father Christmas gave her. She is supposed to blow the horn when she is in danger, as it will bring help. The other animals begin to run to help her, but Aslan stops them and waves Peter on.

Peter runs over and sees Susan climbing a tree, pursued by a huge wolf. She only gets as far as the first branch before she comes so close to fainting that she cannot go any higher. Peter knows that if she faints she will fall to danger. He rushes over and stabs the wolf in the heart with the sword that Father Christmas gave him. There is a short struggle, but in the end the wolf lies dead at Peter's feet. Aslan sees another wolf dash into the thicket and sends his fastest animals after it, saying that the wolf will lead them to the Witch and to Edmund. He then knights Peter, after chastising him for forgetting to wipe his sword.

Step-by-step explanation:

read the pasaage and make changes and extract valid points

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