Answer:
Answer explained below.Step-by-step explanation:
As a young art dealer working for the esteemed Durand-Ruel Gallery, my mission is to introduce and persuade American buyers to invest in the innovative French modern art of the 19th century. In order to achieve this, I've carefully selected two remarkable paintings, "Le Déjeuner sur l'Herbe" (1863) and "Gare Saint Lazare" (1877), each representing different styles and periods within this transformative era of art.
**Le Déjeuner sur l'Herbe (1863) by Édouard Manet:**
This painting is a quintessential example of the Realist movement. The formal characteristics of "Le Déjeuner sur l'Herbe" emphasize a break from traditional academic conventions. Manet boldly portrays ordinary subjects - a picnic in a public park - in a new, unidealized manner. What's modern here is the departure from historical or mythological themes and the depiction of real, contemporary life. The subjects are modern individuals, dressed in the fashion of their time, making the painting relatable to the viewer. The use of light and shadow, as well as the attention to detail, provides an exquisite example of Realism in art. It's a fresh, daring move away from the idealized past.
This painting would appeal to clients who appreciate bold departures from convention and admire the honesty in art. The subject matter, though seemingly ordinary, showcases the shift toward a more democratic approach to art, allowing anyone to be a subject. It might be particularly interesting to clients with an interest in the changing social dynamics of the era.
**Gare Saint Lazare (1877) by Claude Monet:**
"La Gare Saint Lazare" is a prime representation of Impressionism. The formal characteristics of this painting capture the play of light on steam, iron, and architecture in a bustling train station. What's revolutionary here is the abandonment of precise details and a focus on capturing the fleeting moment. It's the essence and the atmosphere that are important. This reflects the modern era's fast pace and fascination with capturing the present.
The subject matter is indeed modern - the transportation hub at the heart of Paris during the late 19th century. This would appeal to clients who admire the transformation of urban life and the technological advances of the time. Clients who appreciate the idea of experiencing a moment in a different way, of feeling the atmosphere rather than dissecting every detail, would be drawn to this artwork.
Our American clients might include wealthy individuals who are open to new and innovative ideas. They could be entrepreneurs or visionaries who understand the significance of reflecting the modern world through art. The new French modern painting is not only good; it is essential as it mirrors the shifts in society, technology, and culture of the time.
It's important to remind potential buyers that these artworks are not just beautiful paintings but also historical records and reflections of an evolving society. While they represent a departure from traditional art, they are not a break from the past but a continuation of art traditions in a contemporary context. Just as the Impressionists continued the legacy of capturing light started by the Old Masters, "Le Déjeuner sur l'Herbe" and "Gare Saint Lazare" continue the tradition of art as a reflection of its time. They are timeless investments in the evolving story of art, and owning them is a way to become part of this story.